Jon Rafman
Petra Cortright
Parker Ito
Evil Biscuit
Room 1109
February 25 – March 1, 2026
SOLOS presents four artists whose practices are inseparable from the internet’s evolution as a site of cultural production: Jon Rafman, Petra Cortright, Parker Ito, and Evil Biscuit.
Each artist treats the internet not as a subject to depict, but as a condition that reshapes how images are made, circulated, and understood. Across video, digital painting, installation, and printed matter, they work inside a culture defined by scrolling, capture, remix, outsourcing, and surveillance. What links them is a shared recognition that authorship, originality, and even the boundaries of the artwork itself have been permanently altered by networked life.
ROOM 1109
FELIX ART FAIR
HOLLYWOOD ROOSEVELT HOTEL, LOS ANGELES, USA
Rafman, Cortright, and Ito emerged from the same digital moment in the late 2000s, when online platforms became fertile ground for artistic production rather than mere distribution. Their work was early evidence of what would later be described as post-internet art: practices shaped by image abundance, desktop tools, browser windows, and the strange collapse between private and public space online. Evil Biscuit belongs to a generation of artists that inherited this shift, for whom the network as a dominant cultural force is not something emergent but ambient.
Together, these artists trace an arc: from the internet’s early sense of possibility to its current algorithmic density. Their works map how images move through this terrain—captured automatically, manipulated endlessly, reproduced without limit, and re-materialized as objects that demand physical presence. What emerges is not nostalgia or critique alone, but a sustained inquiry into how digital culture continues to redefine aesthetic experience.
Bio
Jon Rafman is a Canadian artist and filmmaker recognized for his innovative use of digital media to explore themes of memory, identity, and the complexities of contemporary culture in the age of technology…