The Swarm presents two series: The Swarm: r = 0, consisting of 16 generative video works, and 1.618, which comprises 18 uniquely-crafted video works. This structure reflects the golden ratio (1.618), a mathematical expression that resonates with natural harmony. This reflection draws a direct line between the fundamental principles that govern both the organic and the digital. The generative works operate on 15-second loops, segmented into 0.5-second intervals to inject rhythm into each piece, drawing on Sodeoka’s background in sound engineering and musical production, as well as the omnipresent rhythms and cycles found in nature. Sodeoka’s fascination with patterns and symmetries is visible not only in the fluid motion of the birds, but also in the intricate vector overlays that punctuate the works. His work becomes a bridge, connecting the complexities of the natural world with the mathematical intricacies of the digital one.

While The Swarm primarily delves into the complexities of natural systems, it’s also reflective of the contemporary landscape. In a world where technology infiltrates every aspect of life, Sodeoka’s use of green screens, media offline messages, and other visual signifiers invites us to question the authenticity and stability of our perceptions. The vector overlays, which initially suggest a scientific order, are revealed to be purely aesthetic—further emphasising the uncertain nature of reality.